This is a long story so I'll try to do it in point form
• Go on a trip to Spain where I walk up a small mountain and get a sense of eternity, I make a 1 page comic about it
• Decide to make a short film and set a film festival as the deadline
• Somehow make the film, first time I've actually finished a project of self expression like that since highschool
• Show it to friends, they all think its cool, my partner is moved by it. So Im starting to think "I've done it, the world of film is going to open for me, the start of a new dream career!"
• But then! It doesn't get in to any of the film festivals. This was honestly rough as when you pay extra so submit it late because you're still working on it. You expect to win, or be in the top selection, or get a peoples choice or something
• Not, "Yep we'll take your money to partially watch your film and send you a form rejection letter, no we wont tell you that you aren't even close, send us more money next year!"
• So then I'm like "Okay, while this film that I've made is great, its missing something" So I find out that Peter Cheung of Aeon Flux fame has a Patreon where he will face to face review your work through some equivalent of zoom, this takes like six months to set up
• Once again my expectations are high, will he see me as really good? Will he connect me to his famous and talented friends? Will he hire me to work on his really cool projects?
• When the meeting happens, it is brutal, he picked apart every aspect for like an hour. This I also did not expect as I've been animating and creating for about 25 years. My partner wanted to run into the room to tell him off, it was so hair raising.
I'm sour about this whole series of events and Im trying to unpack why. How can I be in this industry for so long, and be so out of touch?
I think a huge part of this is my internal value system. Why did I spend like a year of my life on what's basically a get rich quick scheme?
When I could have spent that time on friends, family, making actual money, and on my personal art. Capitalism plays a part in this somewhere.
• This whole thing is an event with layers
Q: Who screwed me over the most?
A: The festivals who from my persepctive are basically scams to steal my money. And more importantly wasted my time and resources that I could have spent making real art and reaching my full potential. For over 99 percent of the participants its just a way to flush time and resources into the trash.
Q: Who caused me the most distress?
A: Peter Cheung: while its true that I said I wanted to make something so good it stands out, thus meriting being held to the standards of greatness.
This was a very blunt way of delivery and the initial effect was to cause me to lose sight of my dream and vibe. Setting me up to refer to him as my sole source of truth and dedicate my life to making a handful of mediocre films, and wasting my remaining years on this earth making art that wasn't reflective of my true self. This requried a lot from me to process this into positive and useful advice.
Q: Who helped me the most?
A: A mix of everyone, but a big part was my instict to go my own way, I synthisized that whole experience into the following lessons.
• Harder isn't always better, if your true goal is self expression you need a frictionless environment not shaped by competition or standards.
• Other peoples dreams are like rungs on a ladder
Peter Cheungs dream is to help filmmakers attain greatness, and obtain tuition from them that will fund his own film making dreams.
The Festivals dream is to show the next big thing to the film making world, and that means sorting the wheat from the chaff.
And neither of those dreams are my dream, I just need to use those rungs to gain experience, skills and insights and keep climbing.
So what is my dream at the top of the ladder?
To bring my inner world out, and have it affect my space and people.
I used to think that meant making works of excellence that accumulated wealth and a community. But now that I've accumulated some wealth through motion design and respect through friends. Its just about tuning into something deeper.
Q: Is my life better because of this?
A: Purely comparing me with myself and no one else. I would say that I gained new skills and uncovered some truths about myself. And it contributed to me going down a path where I was able to discover a way of creating where I can combine anything quickly and casually. So if Im diligent about comparison being the thief of joy, then yes.
Q: What do I think of my film now?
A: Its been more then a year since then and I have watched 0 short films and maybe watched a couple of big budget movies. It seems that I liked the identity of being a film maker and I may have loved films in the past, but I don't have a special love of film now.
Also something telling is during the film making process I would show people my work and ask "is this good?"
To me this says I don't know what I want or have an in depth knowledge of the structures Im working with. I should be able to intuitively know if something isn't right.